Entangled Anthology
A body of work made on a residency at 1Shanti Road Bangalore, India, hosted by Artcore, Derby UK, in spring 2024,
A response to Lalbagh Botanic Garden, Derby Arboretum and the ancient Nallur Tamarind Grove (the first protected site of biodiversity in India) with an exploration of post-colonialism, ecology and place.
Gathering disparate voices and histories - archival material recording the transport of plants between India and the British Empire (in particular, an unpublished botanical manuscript found in the archives of Kew Gardens), Ayurvedic medicinal practices, and fruit sellers in Bengaluru and Derby - the work attempts to reveal the entangled and complicated relationships between people and plants.
The work considers the natural landscape of India in conjunction with the cultivated landscape, and how both have been shaped by colonisation. It reflects on who has access to plants in a community, and the different values and understanding afforded these species, from ancient healing practices to the profit driven botanic industry of British India. Up to 50% of modern medicine in plant-derived, much of these medicines developed from indigenous knowledge, while biodiversity is increasingly threatened by climate change and habitat loss. The work scrutinises our relationships with our natural surroundings, from the individual to the collective, highlighting both the exploitation and the nurture to be found.
Connection to nature has been invariably changed through capitalism; developments in botanical export enhancing the influence of commerce and shifting plants into a realm of commodity and status symbol. Just as the Pineapple became an emblem of prestige in 18th century Britain, ‘Californian’ (in fact they are Mexican) palms are now being introduced to Bangalore by returning tech workers.
Three gardens, each differently impacted by imperialism, capitalism and migration, are considered through the lens of resistance, resilience and healing.
Supplant (Date palms on Leadenhall Street)
2024
A colonial era folding fabric panel map of the British Indian Empire, spliced with a pencil drawing of an Indian date palm found growing on the site of East India House, headquarters of the East India Company. This site is now the Lloyd’s Building, home to Lloyd’s of London, a company founded on insuring ships transporting enslaved people during the transatlantic slave trade.
Installation, dimensions variable.
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Unfathered Fruit
2024
Different fruits gathered from Lalbagh Botanic Garden and market sellers across Bengaluru, India. These fruits have lost the usage of their local names to be given English titles, all of which are suffixed with ‘Apple’.
A collection of native and imported produce, they tell a story of colonialism, appropriation, displacement and exclusion.
Terracotta casts of fruit, Indian woven fruit baskets
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Sacred Grove
2024
Looped film
A portrait of three gardens: the Nallur Tamarind Grove, Karnataka, India, the Derby Arboretum, UK and Lalbagh Botanic Garden, Bengaluru, India. Nallur was the first recognised biodiversity heritage site in India. A sacred grove of predominantly tamarind trees growing alongside neem, wood apple, banyan and Bombay ebony. Such wildernesses have been protected by Hindu indigenous communities, who built their villages around fragments of forest and lived alongside them for centuries. Nature holds deep spiritual meaning in the Hindu faith, where tree worship is part of religious practice and the collection of the flora and fauna from these wild places provide the source of Ayurvedic medicine for each community. This way of living in harmony with the trees has meant that areas of rich biodiversity, often home to rare and endangered plants, have existed for hundreds of years and remain today. The tamarind trees found in Nallur are thought to be over 400 years old. The Hindu community that once lived around this sacred grove has since been abandoned, leaving 278 tamarinds to grow in isolation, under a busy flight path, among the ancient ruins of a Hindu temple dating back to the 1300s.
Derby Arboretum was built in 1840 and was Britain’s first municipal park. It was designed as a botanical garden of trees, for the education and enjoyment of the Derby working class, gifted by a rich industrialist, Joseph Strutt. Many trees were brought from around the world and planted in the park, including a variety of horse chestnut and the cotoneaster tree from India. However, the garden suffered from the area becoming increasingly industrialised, the heavy pollution from surrounding factories killing many of the tree species. Today the garden remains open to the public with the few remaining original trees still growing.
Lalbagh Botanic Garden was first designed by the Sultan of Mysore, Hyder Ali, and completed by his son Tipu Sultan, in the style of Mughal Gardens, designed to emulate paradise. Tipu introduced many plants from across the world, curating the largest 18th century collection of rare species on the subcontinent. After the British conquest of the Kingdom of Mysore, the garden fell under the governance of the East India Company and Lalbagh was radically expanded with many more diverse species introduced. The East India Company used the garden for the advancement of Western botanical education. It became a space of inventory and categorisation, cultivating and transporting plants for large profits, in a form of ‘Plant Colonialism’. The impact of imperialism is still materially present in the gardens today, in the avenues and architecture of the park, but it remains a space of diverse, resilient nature in the centre of the Indian cosmopolitan metropolis of Bengaluru.
Entangled Anthology
2024
A new series of botanical drawings, based on the 19th Century unpublished and uncredited works of Cheluviah Raju, created in ‘Company school’ style, a fusion of Mughal miniature painting and Western scientific botanical illustration. An inventory of Raju’s drawings was discovered in the archives of Kew Gardens and used by the artist to create a new series of botanical illustrations: plant portraits of medicinal species found growing in Lalbagh Botanic Garden, The South London Botanical Institute (founded by Allan Octavian Hume, a botanist who worked in British India) and varieties, introduced from across the world, now found in English municipal parks.
Many of the botanists working for the East India Company were medical doctors, tasked with identifying and categorising plants to be used for predominantly marketable and medicinal purposes. Much was learned from indigenous medicinal practices, and this exchange led to the rapid expansion of the exploitative industry of economic botany.
Watercolour on Khadi paper, beeswax, glass
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All these works were exhibited at Artcore, Derby, in Spring/Summer 2024 in the Exhibition 'The Silence of Growing Things'
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